Friday, September 26, 2014

Musicality Praxis: Building a tanda

In this post, I am going to suggest a way of musicality praxis that will grow and grow the way that suits you.  I am convinced that trying to be more musical always starts at the heart and grows naturally into your feet.  No matter what your role is, if you are musical you will help your partner feel it too. Men have an important role, but it is not just their job.  Women often complain that many men do not hear the beat; yet, I sense that many women are making it even harder by listening too much my body language.  I cannot know, but I think all this delay is causing a vicious circle because they are part of this problem of lagging behind the beat.  The man who is musical must begin his momentum ahead of the beat so that she lands on the beat.  How is this possible?  By letting the music lead.

Sunday, September 21, 2014

Musicality Paxis: Be the "Conductor"

In the last post, I suggested an "equation" for better musicality for dancers:  E=MC2.  In today's post, I will suggest a practical way to bring musicality to light in your dance.

If you did not read the last post, I am challenging what dancers call "musicality"; so it may not be what you think you already learned in a so-called "advanced" dance class.  So I will say it again:

Friday, September 12, 2014

E=MC2: The equation for musicality

We dancers too often lose focus on the "E" which is central to musical dancing.  And the "M" and the "C squared" get too much attention.  Let me suggest an easy way to remember how to have three separate foci on musicality, stealing from a well-known equation:  E (emotion) is equal to graceful M (movement) and C2 (cognitions squared).  E=MC2 equates to musical dancing.  True, we must be thinkers in order to dance well.  That includes many cognitions through memory, experience and adaptability to who/what/when and why.  But emotion is equal to graceful movement and a large amount of cognitions (C2).

Sunday, September 7, 2014

Warding off Dementia with Tango

Tango and dance in general gives us a chance to maintain the most precious organ in the body: The Brain.

The onset of dementia slowly degrades this "organ of adaptability" to be only one that is merely running autonomic functions of the body.  Dementia is a frightening disease.  What leisure activity has proven to be the most salutary to those at-risk for dementia?

Monday, September 1, 2014

Milonga of the Uninvited

It all started with an email from a friend and milonga organizer from another country who was coming to a milonga very near to where I live: "Are you going to the the encuentro*?"

"No.  I don't know anything about it," I replied.   I knew that many friends would be there.  Wow!  I wanted to go! How did I miss the announcement?!

I looked up the event on the Internet, and found that it was advertised for all to see, but really it was a VIP list of invitation-only guests.  Somehow this reminds me of being in my fourth grade class in which the rich kid told everyone:  "Hey everyone, I am having a pool party!  I will hand out the invitations tomorrow!" Tomorrow came, and half the class did not get invited.

Free Tango Lesson!
My not getting invited was a wonderful blessing in disguise.  It really did not take long before I saw